3/24/2023 0 Comments Action movie fx firefightInstead of a lone shooter, what we actually get is a cartoonish all-against-all firefight, as preposterous as something from one of Evans’s “Captain America” flicks. It’s here, though, that the show moves into the fanciful mode that has made it one of TV’s most daring series: Almost everyone in this mall, we learn, is packing heat. As he banters with another worker, we see this pursuer aim a gun then bullets fly, glass shatters and we enter a familiar American scene. He’s also being followed by an ominous stranger. There are only two people there, she says, wearing shades and hats without logos on them: Alfred and another guy she identifies as Chris Evans. “Only famous people trying to blend in come in dressed like that,” a pretzel-stand cashier tells him. Unsurprisingly, he’s identified right away. Alfred responds to his fear like many Americans would: He goes shopping, disguising himself with sunglasses and a generic cap. There is a serial killer on the loose in Georgia’s capital, but he’s only hunting people who participated in a viral video challenge from 2007, filming themselves dancing to the song “Crank That (Soulja Boy).” Unfortunately, that includes at least one “Atlanta” character there is hilarious old footage on YouTube of Alfred Miles (Brian Tyree Henry), now famous as a rapper called Paper Boi, to prove it. The premise of “Crank Dat Killer,” which aired in October, is absurdly tragicomic. But that finale’s hypnotic grit - its mix of the dreamlike and the realistic, the hypnagogic potency of films like “The Matrix” and “Inception” and the acerbic urgency of an Amiri Baraka poem - also has its roots in an earlier episode from this season, one that captures much of what the show did so well. Elsewhere,” “Seinfeld,” “The Sopranos” and “Twin Peaks: The Return,” classics whose endings sparked critical pandemonium, it concludes with an episode that has the potential to change the way viewers consider everything that came before. Its finale was no different: Following shows like “St. Strap yourself in.“Atlanta,” the surrealist comedy-drama whose fourth and final season just reached its end, specialized in leaving indelible, discordant images in the minds of its audience, like a television stuck between channels. These are the films we go to when we want an uncut dose of that kinetic-cinema rush. Not all it-blowed-up-real-good films are created equal, however, so we’re shouting out the 50 best action movies of all time - the crème de la crème of martial arts flicks, bullet ballets, men-on-a-mission adventures, swashbucklers, superhero franchises, sci-fi spectacles, wuxia epics, and a whole lot more. And once the Age of the Blockbuster really kicks into gear in the early 1980s, you couldn’t throw a rock at a multiplex without hitting something that hyped up the “motion” into motion pictures. thrills, chills and spills, has been a main attraction of the medium for decades. Action has been a part of the movies since the days of Keystone Kops and mustache-twirling villains tying up heroines on railroads tracks you could even argue that the Lumiere brothers’ short of a train pulling into the station, which allegedly caused audiences to scream and flee the room, was the world’s first example of an action movie. It helps, of course, if you throw in a few explosions, several car chases, some knockdown mano a mano fistfights, a smattering of kung fu and any number of swordfights as well. All you need to make a movie, a wise French man once said, is a girl and a gun.
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